AAPG News and Events
Current Exhibition in the AA/PG Reading Room:
"William Henry Holmes: The Glorious Scrapheap" features items from the American Art & Portrait Gallery Library Special Collections related to the tenure of the first director of the Smithsonian's National Gallery of Art. Bound scrapbooks, clippings, photographs, artwork and written letters trace Holmes' early days as staff artist for the Smithsonian Institution, to his travels on western expeditions, his time as foremost anthropologist and head of the Bureau of American Ethnology, to his directorship of the first art gallery of the Smithsonian.
On view from April - August, 2017. See the Using the Library page for hours and directions.
Previous AA/PG Events and Announcements:
Significant donation from the Art Students League of New York
The Smithsonian Libraries is pleased to announce the February 2017 donation of research ephemera for more than 4,000 artists from the Art Students League of New York (ASL), to be housed at the American Art Museum and Portrait Gallery (AA/PG) Library.
The gift consists of secondary source material on the lives and careers of artists affiliated with the Art Students League as students, instructors, and board members, with particular strength in artists active in the mid-twentieth century. The nucleus of the collection began as the reference files of Ralph Mayer, painter, conservator, and author of The Artist’s Handbook of Materials and Techniques. The files were heavily supplemented by noted art critic, artist and unofficial historian of the ASL, Lawrence Campbell, and were maintained in part to produce the League’s annual catalog and newsletters between 1948 and 1995.
More information on this donation can be found on the Smithsonian Libraries blog. Art and Artist File Material may be consulted on site, and names are indexed in the online Art and Artist Files database.
Hard-edged, bright color: The Washington Color School
With the Smithsonian American Art Museum’s upcoming exhibition, Gene Davis: Hot Beat, the American Art and Portrait Gallery (AA/PG) Library is hosting a complementary exhibition of ephemera showcasing a group known as the Washington Color Painters. Also known as the Washington Color School, they a group of artists working in Washington, D.C. during the 1950s and 1960s who began experimenting with pure color painting, consequently putting the capital city on the American art stage. The Washington Color School typically refers to six painters: Morris Louis, Kenneth Noland, Gene Davis, Thomas Downing, Howard Mehring, and Paul Reed. The AA/PG Library is featuring ephemera from the Art & Artist Files collection for these artists, and many more, including Alma Thomas, Anne Truitt, V.V. Rankine, Hilda Thorpe, Sam Gilliam and Leon Berkowitz.
October 2016 - March 2017
The exhibition is accompanied by a short series of blog posts:
- HARD-EDGED, BRIGHT COLOR: THE WASHINGTON COLOR SCHOOL.
- HARD-EDGED, BRIGHT COLOR: PURE COLOR.
- HARD-EDGED, BRIGHT COLOR: GENERATIONS OF COLOR.
- HARD-EDGED, BRIGHT COLOR: BEYOND THE END.
—“Hard-Edged, Bright Color” was produced by Angelique Roy. Roy was the 2016 ARLIS/NA Wolfgang Freitag Internship Award recipient, and completed her internship at the Smithsonian American Art and Portrait Gallery Library.
May - September 2016
The Smithsonian American Art and Portrait Gallery (AA/PG) Library presents an exhibition of some of its recently acquired artists’ books in the Library’s Reading Room.
The artworks show a range of subjects, from the very personal, family stories, to the cult of celebrity. The examples range from mass-produced publications to unique, hand-made book works, created by artists including Sophie Arnold, John Baldessari, Emily Chaplain, Virginia Flynn and Joe Freedman, Jessie Nebraska Gifford and Esther K. Smith, Mar Goman, Karen Hanmer, Cheri Gaulke and Sue Maberry, Kerry McAleer-Keeler, Scott McCarney, Michael Peven, David Stairs, Josephine Stealey, Mungo Thomson, and Beata Wehr.
More information about the exhibition can be found at: FROM CHARLIE PARKER TO POTATO CHIP PORTRAITS: EXHIBITION OF RECENTLY ACQUIRED ARTISTS’ BOOKS
February 1 – March 30, 2016
Reception February 1, 5-7 pm
750 9th Street NW, Suite 2100
Washington, D.C. 20001
In conjunction with the "Al-Mutanabbi Street Starts Here DC 2016" book arts and cultural festival
January-March, 2016 http://www.amsshdc2016.org/
More information on the project and exhibition can be found on the Smithsonian Global website: https://global.si.edu/projects/al-mutanabbi-street-starts-here
Pictured: "The Cycle of Censorship" Dina Scheel, 2012"
Field of Vision: Landscape in the Artist’s Book
The Smithsonian Institution Libraries is proud to announce its newest display of artists’ books, titled “Field of Vision: Landscape in the Artist’s Book,” installed at the Smithsonian American Art Museum and National Portrait Gallery Library. The display of over 15 artist-made books incorporates examples from the collections of the Warren M. Robbins Library at the National Museum of African Art, the Smithsonian American Art Museum & National Portrait Gallery Library, as well as the Hirshhorn Museum and Sculpture Garden Library. The books reflect ways in which artists have responded to the world around them, from places they have lived in, travelled to, or only imagined. Books by artists such as Vito Acconci, Susan Allix, Tacita Dean, Edgar Heap of Birds, Richard Long, and Edward Ruscha are featured. The books range from commercially printed volumes, to handmade examples and encompass a period from the late 1960s up through to the last decade. The show will be on view through February 2014.
Please join us October 25, 2013 for A Wikipedia Loves Libraries Editathon at the Smithsonian AA/PG Library, focusing on American Artists at the World's Columbian Exposition.