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Image Gallery Subject: Lurçat, Jean

Displaying 1 - 42 of 42
Grid of Smithsonian Libraries Image Galleries
Tapestry. France, circa 1925. Apartment of Pierre David-Weill, Paris. One of a group of four tapestries. Jean Lurçat, designer.
Tapestry. France, circa 1925. Jean Lurçat, designer.
Tapestry. France, circa 1925. Apartment of Pierre David-Weill, Paris. One of a group of four tapestries. Tones in series: green blue, and black....
Tapestry. France, circa 1925. Jean Lurçat, designer.
Tapestry. France, circa 1925. Jean Lurçat, designer.
Tapestry. "le Duel." France, circa 1925. Jean Lurçat, designer.
Tapestry. France, circa 1925. Jean Lurçat, designer.
Tapestry. "Le Cirque - The Snake Charmer." Jean Lurçat, designer.
Tapestry. France, circa 1925. Jean Lurçat, designer.
Rosewood table. France, 1926-27. Pierre Chareau, designer.
Three panel tapestry screen. France, circa 1925. Jean Lurçat, designer.
Tapestry screen. France, circa 1925. Jean Lurçat, designer.
Tapestry screen. France, circa 1925. Jean Lurçat, designer.
Rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer and artist.
"Les Géures". Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer and artist.
Wall covering by Jean Lurçat, designer.
Wall covering by Jean Lurçat, designer.
Rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer and artist.
Living room. Versailles, France, 1925. Pierre David-Weill residence. André Lurçat, architect and designer.
Living room. Paris, 1925. Pierre David-Weill residence. André Lurçat, architect and designer.
Living room. Versailles, France, 1925. Pierre David-Weill residence. André Lurçat, architect and designer.
Wall covering by Jean Lurçat, designer.
Rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer and artist.
"Les Dauphins." Woven by hand in Algeria. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat,...
"La Panthere." Motif of panther skin for rug, woven by hand in Algeria. Part of a series by Myrbor, under which only five rugs were made of each...
"Quertail." Cubist designed rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer and...
"Le Jardin." Cubist designed rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer and...
Rug. "Hoggar." For a series by Myrbor. Jean Lurçat, designer.
"Le Jardin." Cubist designed rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer and...
"Les Flammes." Cubist designed rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer...
"Les Deux Harlequins." Cubist designed rug .Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat,...
" Le Chleuh." Cubist designed rug. Part of a series by Myrbor, under which only five rugs were made of each artist's design. Jean Lurçat, designer...
Nursery. France, n.d. Tea table and chair. Pierre Chareau, designer.
Nursery. France, n.d. Pierre Chareau, designer.
Living room. Paris, 1925. Pierre David-Weill residence. André Lurçat, architect and designer.
Living room or salon. France, 20th century. M. Weil residence. Jean Lurçat , designer and painter. André Lurçat, architect.
Living room or salon. France, 20th century. M. Weil residence. Jean Lurçat, designer and painter. André Lurçat, architect.
Living Room or salon. France, 20th century. M. Weil residence. Jean Lurçat , designer and painter. André Lurçat, architect.
Hallway. Paris, circa 1929. Pierre Chareau, designer.
Bedroom. Paris, circa 1925. Pierre Chareau, designer.
Fireplace. France, 1925-30. Shelving at each side of fireplace. Pierre Chareau , designer.
Model of Karl Marx school. Paris, 1930-33. André Lurçat, architect.
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