art

Chokwe (an ethnic group from central and southern Africa) murals are among the best known and most thoroughly documented in Central Africa. These designs painted on the outer clay walls of their houses were community works by both adults and children. The murals reproduced here are replicas based on the José Redinha’s photographs and watercolors.

Observations over some Fragments of Ancient Glass Vases Ornamented with Figures Found in Rome Cemeteries is the work of Filippo Buonarroti (Florence, 1661- 1733), an early scholar of Etruscan art and antiquities, studying the collection in the family palazzo-museum, Casa Buonarroti. He made a study of the bottoms of Roman gold glass vessels that were used as grave markers on the walls around the burial niches of catacombs in Rome. Buonarotti included many illustrations of these decorated pieces and fragments of glass, many of them showing portraits of the gravesite owners.

In 1897, an unauthorized party of 250 British merchants and African soldiers disguised as porters approached the powerful city of Benin, located in what is now southern Nigeria, intending to overthrow its king and reestablish a once lucrative trade outpost. They were ambushed en route, only two men survived. In revenge, the British sent a punitive expedition to Benin which destroyed the city.

The Hermitage Museum in St. Petersburg, Russia, has an important collection of Greco-Bactrian and Bactrian gold and silver vessels, many of which were likely in the Siberian collection of Tsar Peter the Great (1672-1725). In 1940, Kamilla Trever (1892-1974), a curator at the Hermitage and a Russian historian specializing in the history and culture of Transcaucasia, Central Asia, and Iran, published this important but obscure Russian-language work on the collection.

Gather out of Star-Dust: A Harlem Renaissance Album is a tribute to the Harlem Renaissance, a period of tremendous artistic and cultural achievement among African Americans in the 1920s and 1930s, with New York City's Harlem neighborhood at its epicenter. The book is also based on a current exhibit of the James Weldon Johnson Memorial Collection of African American Arts and Letters in the Beinecke Rare Book & Manuscript Library of Yale University.

Louis Comfort Tiffany (1848-1933) was one of the most celebrated designers at the turn of the 20th century, known for his metal and glass work. But Tiffany was also a notable artist, who created beautiful drawings and paintings as well as three-dimensional works. This richly illustrated biographical account features the portraits and landscapes Tiffany painted as he traveled the world. It includes drawings and photographs relating to every aspect of his artistic career, from stained glass and jewelry to vases and textiles.

Ornamental Textile Fabrics of All Ages and Nations: A Practical Collection of Specimens features specimens from Auguste Dupont-Auberville's collection of ornamental textile designs. The samples, reproduced as simple chromolithographs, serve as a showcase of European, Eastern, and Egyptian design elements used in textile production throughout history.

“Would you mind acting as though you just discovered a gold mine?” Cartoonist George Price finds the humor in the everyday and pokes fun at people from all walks of life. Price is best known for his 60-year career as a cartoonist for The New Yorker; he was one of the early artists who shaped the look and feel of the magazine.

Sirarpie Der Nersessian (1896-1989) was an Armenian art historian. Born in Istanbul, she fled in 1915 to escape the persecutions that had erupted against Armenians in the Ottoman Empire. She lived for a time in Switzerland, then moved to Paris in 1919, where she obtained a graduate degree at the Sorbonne. By the mid-20th century, she was living in Washington D.C., working as a scholar at Dumbarton Oaks. In 1963, she published a book on the Freer Gallery of Art’s Armenian Gospel manuscript folios.

Who doesn’t love a little sparkle? You’ll find plenty in this gorgeous book. Along with histories of important jewelers from the late-19th through the 20th centuries, it features photographs of masterworks created by these artists and craftspeople. The book also highlights a number of specific jewelry styles, such as Art Nouveau by Lalique and Egyptian revival by Cartier. Other jewelers presented in the book include Tiffany, Van Cleef & Arpels, Fabergé, and Bulgari—with illustrations of their dazzling pieces crafted from gold, silver, platinum, gems, pearls, and enamel.

Published in 1989 by Trio, Secrets of Ancient Gold is a translation of Christiane Eluère’s Secrets de l’or Antique. Rich in color and black-and-white photographs and illustrations, Secrets is an accessible introduction which delves into the history of art created in gold, the artists who worked with it, and the methods they used. A French historian specializing in Celtic metalwork, Eluère currently works for the Museum of National Antiquities in Saint-Germain-en-Laye.

This stunning book is the first comprehensive publication on the internationally renowned Cuban American artist Teresita Fernández. The idea of wayfinding—moving from place to place or even getting lost—is critical to understanding this artist’s body of work, which revolves around themes of landscape, the night sky, and other environments. "We have a tendency to think of landscape as something outside ourselves, and that’s a notion that I want to invert," Fernández states.

Gold Rush: Contemporary Art Made From, With or About Gold is an exhibition catalogue published to accompany the exhibit of the same title, which was featured at Kunsthalle Nürnburg (October 18, 2012 to January 13, 2013) and at Villa Merkel, Galerien der Stadt Esslingen am Neckar (February 17 to April 14, 2013), in Germany. The show explored the appearance of gold in the recent works of 18 international artists, including Joseph Beuys, Felix Gonzalez-Torres, Daniel Knorr, Kris Martin, Jonathan Monk, and Claudia Wieser.

This exhibition catalog explores the 2010 monumental work Circle of Animals/Zodiac Heads, created by internationally acclaimed contemporary Chinese artist and social activist Ai Weiwei. The work is a reimagining of a Qing dynasty zodiac water-clock system at the Old Summer Palace near Beijing, which was looted in 1850 during the Second Opium War. Ai reinterpreted the original fountainheads in a gold series and a bronze series, as his first monumental public art installation.

Whether romantic farces in black-and-white or western epics in Technicolor, movies from Hollywood's golden age were introduced to the world by entrancing posters. The Lost Artwork of Hollywood is a tribute to the illustrators and artists who created posters and other promotional materials to spark the imagination of the public. Focusing on movies of the 1920s, 30s, and 40s, the book contains over 100 images from film promotional materials, many of them full-page reproductions.

Les Arts au Moyen Age et a l'Epoque de la Renaissance (The Arts in the Middle Ages and in the Renaissance) features chromolithographic plates and over 400 woodcuts. What truly makes this edition stand out is its elaborate use of gilt stamping. The red book cover is dotted and outlined with gold script, matching the bow-like design on the spine. Instead of the typical marbled paper, the book's inside covers feature a zig-zag pattern of black and gold lines, with designs of flowers, tassels, and letters in contrasting colors.

This volume was commissioned by the president of Costa Rica and published in 1902. The Comisión Conmemorativa de Costa Rica en el Siglo XIX worked with various authors to highlight the social history, local customs, and artistic contributions of Costa Rica during the 19th century. The book also covers the history of the Catholic Church in Costa Rica during this period. The goal of this volume was to highlight the many successes of Costa Rica following its independence. The cover depicts a silver angel holding aloft a burning torch inscribed with the Roman numerals XX (20).

Four and twenty blackbirds, baked in a pie...Imagine those blackbirds popping out at you! The Pop-Up Mother Goose includes surprises on every page. Author Harold Lentz was a commercial artist who delved into the world of book publication in the 1930s, when he designed a series of colorful fairy tales, incorporating imaginative drawings and paper engineering. Lentz and his publisher were the first to coin the term "pop-up" to describe their surprising design. Produced and sold during the Great Depression, these imaginative books provided readers a joyful distraction.

One of the best-known artists of the 20th century, Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet, and playwright who spent most of his adult life in France. Picasso is often remembered for his cubist paintings, but he continued to experiment with new styles and materials throughout his life. During the 1950s and 1960s, Picasso commissioned Francois Hugo, great-grandson of French writer Victor Hugo, to execute a series of plates, dishes, and medallions in gold and silver. The plates were modeled after Picasso’s original ceramics designs.

"The skull is out of this world, celestial almost. I tend to see it as a glorious intense victory over death," writes art historian Rudi Fuchs in this creative guide to the making of British artist Damien Hirst’s sculpture For the Love of God, a platinum cast of an 18th-century skull encrusted with 8,601 flawless diamonds and produced at a cost of £14 million. The catalog is a companion publication to the 2007 exhibition “Damien Hirst: Beyond Belief,” at London’s White Cube, where the skull made its debut.

Georges Braque was a major 20th-century French painter, sculptor, draughtsman, and printmaker. At the age of 79, Braque turned his attention to jewelry. He teamed up with master jeweler Baron Heger de Löwenfeld to turn 110 gouache maquettes into intricately textured gold sculptures inlaid with precious stones. The collection, inspired by Greek mythology, incorporates themes of flight and metamorphosis. The two artists worked so closely together that Braque referred to De Löwenfeld as the “continuation of my hand.”

Liza Lou, an American artist and winner of a 2002 MacArthur Foundation Fellowship, is known for her large-scale sculptures and environments made from glass beads. Lou’s brightly colored sculptures create tension between the sparkling beauty of their surfaces and their frequently dark themes, suggesting that America’s polished, projected image belies the nation’s underlying turmoil.

Lawrence Weiner is a conceptual artist who has used language as his primary medium since 1968, when he concluded that viewers could experience the same effect from reading a verbal description of his work as they could from viewing the work itself. Since that point, he has been best-known for his word sculptures—short poems and witticisms applied to walls in plain lettering, always translated into the language of the country in which they are shown. In 1995, the Middelheim Museum in Antwerp commissioned Weiner to create a work for its permanent collection.

Whether through direct influences or broader affinities, African, Pre-Columbian, and Indigenous American objects undoubtedly informed the practice of Western artists throughout the 20th century. This catalog, from the inaugural show at New York’s Pace Primitive Gallery, juxtaposes body objects from African, Pre-Columbian, and Indigenous American cultures with jewelry by Alexander Calder, Ernest Trova, Louise Nevelson, and Pablo Picasso.

The works of Lucas Samaras can be understood through one unifying principle: the artist’s “natural instinct for subversion.” Rather than springing from an urge to rebel, however, Samaras’ originality and nonconformity are centered in treating art as a mutable subject. Samaras spent two years crafting gold jewelry, modeling them first in chicken wire, then casting them in solid 22-karat gold.

In 2001, British artist Jeremy Deller received a residency from the CCAC Wattis Institute in San Francisco. He applied his honorarium toward a used Jeep and five acres of land in the Mojave Desert for $2000, thereby staking his own claim upon the Golden State. His fellowship resulted in an unorthodox but compelling guidebook tracing California’s history from the 19th century mining boom to the post-dot-com recession, as found along its dusty highways and in its roadside museums.

The “objects” of American artist Man Ray’s affection were small, limited-edition sculptures.

Joseph H. Hirshhorn, founding donor of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden, was an avid collector and supporter of Picasso. The two became friends after being introduced by photographer Edward Steichen. The Hirshorn Library’s copy of Picasso, by art critic Jean Cassou, is inscribed in ink by Picasso on the half-title, “Pour Joe Hirshhorn, son ami Picasso, le 25-7-69,” and includes a full-page original Picasso sketch of a bearded man with curly hair and a wavy hat.