Black history

“Highlights of the NMAAHC Library Collection” Opens at National Museum of African American History and Culture

This September, the National Museum of African American History and Culture celebrates its sixth anniversary. When it first opened, our National Museum of African American History and Culture Library, housed on the second floor, displayed a noteworthy selection of highlights from its collection. The library has just unveiled a new exhibit featuring another set of books and materials significant to the African American story.

Gather Out of Star-Dust

Gather out of Star-Dust: A Harlem Renaissance Album is a tribute to the Harlem Renaissance, a period of tremendous artistic and cultural achievement among African Americans in the 1920s and 1930s, with New York City's Harlem neighborhood at its epicenter. The book is also based on a current exhibit of the James Weldon Johnson Memorial Collection of African American Arts and Letters in the Beinecke Rare Book & Manuscript Library of Yale University.

Black Power 50

Since its introduction as a slogan in 1966, the term "Black Power" has inspired and shaped African American consciousness in remarkable ways. For many Americans, the idea of Black Power has restructured goals and redefined success. It has also inspired a new generation of activists who continue to build on the potency of these two simple words. Black Power 50 is a captivating introduction to the Black Power movement.

The 50 Most Influential Black Films

The 50 Most Influential Black Films is an introspective study of the black image in motion pictures from the late-19th century through the 20th century. Its chapters are organized by decades, starting with silent films and continuing through independent films of the 1990s. Each chapter begins with a synopsis of the social issues affecting black people during the period covered, and situates black film within the larger context of a people struggling to find their way in a culture that did not always accept the black image on screen.

Brown Gold

Brown Gold traces the development of African American children’s literature from the 1870s to the 2000s. The book includes literary criticism and pedagogy, as well as literary history and cultural analysis. The author discusses the use and impact of racial terms such as Afro, Negro, African American, and others. The book also focuses on African American illustrations, and on how African Americans were portrayed and caricaturized in children’s picture books. The discussion addresses the impact of these portrayals on the experiences of African Americans in their daily lives.

Mad Man's Drum, A Novel in Woodcuts

This beautiful book, a wordless novel, tells a story of the African slave trade and one slave trader’s obsession and tragic downfall—all in 128 powerful woodcuts that combine Art Deco and Expressionist styles. Lynd Ward was one of America’s finest wood engravers, and the detailed, complicated plates in this book show him as a master craftsman and illustrator who could also reveal psychological anguish through his art. The plates in this second-edition copy are reproduced photographically; the front and back covers are bound in papers showing a woodcut-style design in black and white.

How Sweet the Sound

This book traces the development of gospel music, from its roots in the 1900s through its golden age in 1945-55. How Sweet the Sound takes the reader from African American churches in Los Angeles in 1906; to the Deep South Pentecostal churches; to Chicago, Philadelphia, Detroit, and St. Louis in the 1930s. Author Dr. Horace Boyer (1935-2009) was one of the foremost scholars in African American gospel music, a music historian, and a gospel singer himself.

One-Way Ticket

Langston Hughes (1902-1967) is arguably the most famous poet of the Harlem Renaissance and Jacob Lawrence (1917-2000) is among the most famous artists from this movement. This book is a collaboration of two great African American masters with Lawrence illustrating themes of the poems. The book is signed by both Hughes and Lawrence to Edith Halpert a New York City art dealer who showcased many important modern American artists including Lawrence.