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The authors use the discovery of discarded 19^th-century cadavers at the Medical College of Georgia to examine the use of African American bodies as a medical education tool. The book looks at the cultural implications of these practices as well as the resulting medical knowledge. This research brings added dimension to physical anthropology discoveries and historical medical findings.

Upon the discovery of a long-forgotten cemetery in Philadelphia, excavation and study exposed the remains of a Baptist church cemetery and its African-American inhabitants. Thorough research of the skeletons and surrounding area shed light on the living conditions of the African Americans in 19^th-century Philadelphia and its environs. This book is important to scientists and curators studying 19^th-century American life and physical remains of 19^th century Africa -Americans.

Authentic early images of West Africans are rare—and quite sought after. David Boilat offers us just such a portfolio in Esquisses Sénégalaises, published in 1853. The twenty-four color plates are remarkable for their attention to details of clothing, jewelry, hair styles, skin color, and facial features. His accompanying text describes, with remarkable equanimity for his time period, pertinent customs and behaviors ranging from the admirable to the deplorable—all judged from the local point of view.

Fifty years in chains: or, the life of an American slave is an abridged and unauthorized 1858 reprint of the 1836 Slavery in the United States: a narrative of the life and adventures of Charles Ball... . As one of the earliest slave narratives, its influence on later works is a well-established phenomenon.

This 1773 collection of poems was the only edition of Phillis Wheatley's work printed in her lifetime. Wheatley was first brought to the United States at age 7 or 8 to be sold into slavery. She was purchased by John Wheatley of Boston and taught to read and write. Having been tutored in the classics by Mrs. Wheatley, Wheatley began to write poetry herself and became well-known for it in Boston's domestic circles. A trip to England in 1773 brought her under the patronage of the Countess of Huntingdon who arranged for this 1773 English edition of her poetry to be published.

On August 31, 1962, Fannie Lou Hamer rode a bus with 17 other African Americans from her hometown of Ruleville to Indianola, Mississippi to register to vote. She was refused her legal right to register. When she returned home, she was fired by her employer and her family was thrown off the land where they had been sharecroppers. This injustice lit a fire inside Mrs. Hamer and put her on a path to becoming an important leader for the Civil Rights Movement in the South. This book tells the life story of this strong, indomitable woman who marched with Dr.

This highly illustrated book is a masterpiece. Over 100 pages in length, it describes the evolution of African American artists over time. This book focuses on the late 1900s and spans through the first decade of the 21st century. This is a Smithsonian American Art Museum publication. A New York native, the author graduated from multiple Ivy League universities including Princeton University and Columbia University. Every chapter is illustrated with reprints of paintings by influential African American artists followed by an extensive bio of each artist.

Written by Dr. Cynthia Carter, former director of Africare and current Chief Development Officer at the Smithsonian Center for Folklife and Cultural Heritage, this richly illustrated book uses artifacts, images, and documents to trace the history of slavery in North America, from ancient Africa to the suffering still experienced by African Americans today.

This is a large, thin book with vivid black and white photos throughout. As a young Washington Post reporter covering jazz during the 1930s through 1940s, the author William Gottlieb (1917-2006) took many pictures of Louis Armstrong, Ella Fitzgerald, Billie Holiday, and Dizzy Gillespie.  Before he died, he willed for all his photographs to be put in the public domain. This was carried out four years after his death. The Golden Age of Jazz consists of more than two hundred photos and captions, which are visual thrills for jazz fans.

The author of this book, Arnold Shaw (1909–1989) was a songwriter, pianist, composer, and music publisher who wrote a dozen books on 20th century pop music, including two books on Frank Sinatra and a biography of African American pop sensation Harry Belafonte. He founded the Arnold Shaw Popular Music Research Center at the University of Nevada, Las Vegas in 1985 and taught there for a decade. This 600-page long guide to the history of R&B has eight parts, with seven chapters each. Those chapters are broken out into 25 sections each, which are called grooves.

This book traces the development of gospel music, from its roots in the 1900s through its golden age in 1945-55. How Sweet the Sound takes the reader from African American churches in Los Angeles in 1906; to the Deep South Pentecostal churches; to Chicago, Philadelphia, Detroit, and St. Louis in the 1930s. Author Dr. Horace Boyer (1935-2009) was one of the foremost scholars in African American gospel music, a music historian, and a gospel singer himself.

Born a slave on a Virginia farm in 1856, Booker T. Washington taught himself to read after emancipation, worked hard to fund his own education, and eventually attended the Hampton Institute. He became a prominent Black educator and an important voice on race in America during the late 1800s and early 1900s. The Future of the American Negro, written by Washington in 1899, outlines his ideas on the history of enslaved and freed African American people and their need for education to advance themselves.

This gigantic "book" is actually a stack of unnumbered color plates, arranged in alphabetical order, by the last name of the African American hero featured on each. The author, Thomas Blackshear, is a contemporary African Americna artist who draws, paints, illustrates, and sculpts. Mr. Blackshear's artwork is seen on the 25c Ida B.

Julius Rosenwald (1862–1932) was a businessman, billionaire and philanthropist. His net worth was $80M at death (equaling about $1.4B today).  He was half owner of Sears--he saved the company during the infamous financial panic of 1893--and he donated millions to educating African Americans in the South in the 1920s. He also donated to the Tuskegee Institute. In this biography, Mr. Ascoli paints a portrait of Julius Rosenwald, aka, "JR." This book, which was signed by the author, has 450 pages and features black and white photographs.

This pocket sized exhibition booklet contains a chronicle of the African American experience told through the unique lens of stamps and mail. At around 100 pages long, it is full of beautiful color illustrations of stamp art. The National Postal Museum's exhibition opened to the public in the middle of Black History Month 2015, and ended in the middle of Black History Month 2016. Museum visitors learned about letters carried by slaves, mail to and from civil rights leaders, and original artwork from the USPS Black Heritage stamp series.

There has not been much scholarship published on the history of African Americans in the American West and this may be one of the reasons the average person may have misconceptions about that history. This is why titles such as Hoo-Doo Cowboys and Bronze Buckaroos are such a welcome addition to research collections.

The African American soldiers who served in the Spanish-American War and the Indian Wars were known as the “Buffalo Soldiers.” Especially remarkable is that  both of these conflicts occurred during the latter half of the 19th century, meaning that some of Buffalo Soldiers had been enslaved just years prior. Yet in spite of this and other obstacles, they were known for serving with valor and honor. In addition, they were tasked with the controversial job of helping to "settle" western states, including Arizona.

This book discusses numerous traditions of African American families, including Kwanzaa, Christmas, naming ceremonies, and family reunions. The book also shares traditional recipes and tips for how the reader can document their own family events. By taking a deeper look into these unique and timeless celebrations, Cole and Pinderhughes allow their curious readers a peek into how important celebrations like these are in African American families, and the essential role they play in keeping families “dynamic, powerful, and close-knit.”