colony

Chokwe (an ethnic group from central and southern Africa) murals are among the best known and most thoroughly documented in Central Africa. These designs painted on the outer clay walls of their houses were community works by both adults and children. The murals reproduced here are replicas based on the José Redinha’s photographs and watercolors.

Nzima Land was a small, independent state located in the southwest corner of the Gold Coast (now Ghana). Annor Adjaye, a Nzima Paramount Chief, was educated in Britain and understood how the British viewed Ghanaian society. In this book, he attempts to educate British readers about his society and people, and to dispel prejudices and misconceptions. To bridge this cultural divide, Adjaye explains the workings of Nzima government and tribunal judgments, and he shares the wisdom of Fante proverbs.

This 500-page book is a collection of round postal markings (postmarks) stamped on envelopes, from the Gold Coast region of Africa (modern-day Ghana). The author places these items of philatelic history in the context of the overall history of the region, from the first visit by Portuguese explorers in 1471, through the Republic of Ghana's achievement of independence from British colonial rule in 1957.

This book traces the history of postal services in the Gold Coast region of Africa (modern-day Ghana) from the European "discovery" of the region in 1471, to the end of the Ashanti War in 1901. The book includes beautiful color illustrations of "cancelled covers" (envelopes) throughout.

The year is 1890. The French public is eager to learn more about the new colonies that France has won in the "Scramble for Africa." Colonel Henri-Nicholas Frey addresses their curiosity by compiling this geography, which describes in vivid detail the people, places, and things on the coastal regions of West Africa, from southern Morocco to the Congo. Frey draws on his own military experience in West Africa, but his primary sources are the writings of explorers, missionaries, and travelers to the region.

Authentic early images of West Africans are rare—and quite sought after. David Boilat offers us just such a portfolio in Esquisses Sénégalaises, published in 1853. The twenty-four color plates are remarkable for their attention to details of clothing, jewelry, hair styles, skin color, and facial features. His accompanying text describes, with remarkable equanimity for his time period, pertinent customs and behaviors ranging from the admirable to the deplorable—all judged from the local point of view.