Design

Like many jewelry companies in Europe and America, Adolph Scott Ltd. Birmingham, jewellers of England, sold not only personal jewelry of all kinds, but many other objects made from metals and silver. They sold pocket and wristwatches, many types of bracelets, brooches, religious medals, and rings. This catalog features cigarette cases, eyeglass frames, mirrors and compacts, calling and business card cases, chain bags and purses, cigarette holders, flasks and silver baby rattles, even gold and silver safety pins.

This book, with examples of 1935 French advertising design, is part of the Cooper Hewitt, Smithsonian Design Library’s Special Collections materials on typography and graphic design. With text, design, and layout by Alex Pinon, this volume is a fascinating look into advertising typography by one of the leading French type foundries of the period. Alex Pinon (1900-1961) started his career in typography and fashion illustration after the First World War; during the 1950s he was a prominent cover illustrator of bestsellers of popular literature.

This full-color, beautifully illustrated book focuses on the amethysts of Catalan country in Uruguay. In both English and German, Amethyst Uruguay details the past 200 years of the mining of these precious purple stones and of the people and cultures involved in those operations. It also includes fascinating analysis of the geology and mineralogy of the amethyst. The highlight, of course, is a generous series of richly colored photographs of these beautiful gems. Author Reinhard Balzer collects and studies gems and minerals, with a particular interest in amethysts.

This magnificently illustrated book describes and depicts images of paleo art from the inception of the field, in the 1830s, to the modern era. Paleoart, unique in its literary field, includes beautifully reproduced paintings, drawings, tile mosaics, etc. from collections around the world. Each example represents a mixture of science and fantasy as artists have attempted to visualize extinct life in its long-ago environment. Some art used in this volume was taken from the archives and collection of the Smithsonian’s Paleobiology collection. 

It: A Poem/Play Installation packs a lot into a small package. As an artists' book, it is considered a work of art and when read, it can be activated as a performance. The New York–based artist, Coco Gordon, incorporates a range of materials in the work such as handmade paper, acetate sheets, xerox copies, photographs, text, and sculptural elements. Each book is hand-bound with a wooden chopstick and has a miniature model of Gordon’s 12 foot sculpture "IT" — a red, lobster claw-like mesh item meant for the reader to “contemplate, lift, unfold, take anywhere."