Fiction

Czech born Ladislav Sutnar (1897-1976) is a well known graphic designer, but who knew that he also produced fine book bindings? Issued by the Cooperative Work collective headed by Sutnar in Prague in the 1930’s, this special full leather binding was designed by Sutnar himself. At extra cost, Cooperative Work would supply special bindings; this book with the same Sutnar design was available bound in green cloth-covered boards stamped in black and silver.

Léo Dex was the pseudonym of the brillant and distinguished aeronautical engineer Edouard-Léopold-Joseph Deburaux, who was commander of a company of hot-air balloonists attached to the French Army’s First Corps of Engineers. Under his given name, he wrote many books and papers on the possible uses of hot-air balloons for exploration and warfare. His grand experiment in balloon exploration—sending hot-air balloons across the Sahara from Tunisia to the region of Timbuktu—ended in failure, and he died shortly thereafter.

Did you know that there is a prequel to Robert Louis Stevenson’s epic pirate adventure Treasure Island? It’s true! Porto Bello Gold, by prolific pulp fiction writer Arthur D. Howden Smith, tells how the treasure got to Treasure Island, complete with Billy Bones, Captain Flint, and, of course, Long John Silver. Despite some kitschy chapter titles, such as “Fetch Aft the Rum, Darby McGraw” and “The One-Legged Man and the Irish Maid,” Porto Bello Gold is more than just Roaring Twenties fan fiction.

Published in 1946, this adventure story is set in Peru in 1938. It is the tale of a father and his two sons’ pursuit of an Incan treasure known as the "golden condor." This copy has a bookplate identifying the book as a gift from the publisher, Alfred A. Knopf, to the Aeronautical Archives. It is representative of the many works of popular aviation adventure stories in the National Air and Space Museum library collection that document how motorized flight captured young people's imaginations.

This is one of over 1,600 titles at the Cooper Hewitt, Smithsonian Design Library classified as a pop-up and movable book. Some of these titles have been in the collection since the founding of the Cooper Union Museum in 1897. However, the majority of the pop-up collection was acquired in the 1980s and continues to grow through donations from collectors and select purchases. Spanning over 500 years, these action-packed works of art were intended to calculate, educate, entertain, and amaze. This book is a particularly rare example on astronomy published in the USSR in 1982.

This 180-page book is written for older children. The book tracks the adventures of an Irish American family, the Cullens, who were caught up in a competition between two railroad companies vying for government funding in the 1860s. Union Pacific was laying track westward from Omaha, Nebraska, while Central Pacific was laying track eastward from Sacramento, California. This work of historical fiction for young readers includes authentic details from the period.

This very rare copy of the second edition from 1752 was once owned by rocket scientist Frederick Ordway III, spaceflight visionary and consultant on Stanley Kubrick’s 2001: A Space Odyssey, this work of fiction by Voltaire is a work akin to Gulliver's Travels, but set in outer space.

René Maran was born in Martinique, educated in France, and served as a colonial administrator in the French colonies of West Africa.  In 1921, he won the Prix Goncourt for Batouala. He was the first black author to be so honored. Although the book's preface includes a blistering critique of French colonial abuses, Maran asserts that the novel is a story not of black against white, but simply of two men in a Banda village fighting over a woman.

This copy of one of Jules Verne’s most celebrated adventure tales has an elusive past. With no publication date, an annotation on its inside cover dated ‘1925,’ and a blind stamp minted 1932 on the title page from the Institute of the Aeronautical Sciences, this book presents just as much wonder itself as the story it features. The Smithsonian Libraries Research Annex (SLRA) discovered that this copy of Verne’s work, among others, had been released by Chicago-based publisher M.A. Donohue in the early part of the Twentieth Century.