France

This 1909 publication is a photograph collection of aerial views of the city of Paris and other notable nearby sites, like Versailles. The photographers, A. Schelcher and A. Omer-Decugis, produced about thirty pictures using an oblique point of view and provide a different visual of monuments like the Eiffel Tower in a perpendicular photograph. These photos show the streets and boulevards of Paris captured at a time when aerial photography was in an experimental stage and the results helped alter human perceptions of the world.

This is volume one of a three volume first edition series written and illustrated by Georges-Louis Le Rouge that describe monuments, buildings, and other ‘curiosities’ in and around Paris, Versailles, Marly, Vincennes, and Saint Cloud. They were published in 1771. This volume has 19 exquisite drawings prefacing different chapters. The combined written and visual portrayals provide a wealth of cultural information and help the reader reconstruct the architectural designs of the time.

Le Menagerie du Jardin des Plantes in Paris, France, is a small zoo within the larger botanical gardens (Jardin des Plantes) which are part of the Museum of Natural History. Founded with animals from the menagerie of Versailles, which was dismantled in 1795 during the French Revolution, it is the second-oldest zoo in the world. This book, written by botanist and geologist Pierre Boitard, features beautiful etchings of many of the animals found in the zoo and botanical gardens. By 1845, when this second edition was published, Paris had the largest exotic animal collection in Europe.

Paris on Horseback was written and illustrated by French author and cartoonist known as Crafty, whose real name was Victor Eugène Geruzez (1840-1906), specializing in books on horses and hunting. The contents of the book are divided into sections: "Cavalry of Paris," "At the Bois de Boulogne," "At the Races," and "The Art of Falling from the Horse." These satirical and witty observations highlight the transactions and tricks that surrounded acquiring a horse from a Parisian horse dealer. It takes a comical view of French society, the racing world, the horse show, and dressage.

Carpets and Fabrics is a portfolio volume about the famous series of textile design pattern books published in 1929 by Charles Moreau in Paris. Textile artist Sonia Delaunay edited this collection of textiles, created by her contemporary Art Deco and modernist designers. Like her own work, the designs incorporate geometric shapes and abstract patterns for rugs and fabrics, the idea of modernism being that the overall design of interiors and fashion be a coordinated look.

Charles Méryon (1821 –1868) was a French artist and poet who worked almost entirely in etching, as he suffered from colour blindness. Although now little-known in the English-speaking world, he is generally recognized as the most significant etcher of 19th century France. He wrote in verses which were designed to be published alongside his images, expressing the thoughts and feelings the subjects aroused in his mind, and considered himself a poet.

Léo Dex was the pseudonym of the brillant and distinguished aeronautical engineer Edouard-Léopold-Joseph Deburaux, who was commander of a company of hot-air balloonists attached to the French Army’s First Corps of Engineers. Under his given name, he wrote many books and papers on the possible uses of hot-air balloons for exploration and warfare. His grand experiment in balloon exploration—sending hot-air balloons across the Sahara from Tunisia to the region of Timbuktu—ended in failure, and he died shortly thereafter.

One of the best-known artists of the 20th century, Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet, and playwright who spent most of his adult life in France. Picasso is often remembered for his cubist paintings, but he continued to experiment with new styles and materials throughout his life. During the 1950s and 1960s, Picasso commissioned Francois Hugo, great-grandson of French writer Victor Hugo, to execute a series of plates, dishes, and medallions in gold and silver. The plates were modeled after Picasso’s original ceramics designs.

This book was written by Egyptologist Henri Brugsch in 1855. It was the first European attempt to study Demotic—the written and spoken language of the ancient Egyptian people. Brugsch’s project was recognized and supported by Frederick William IV, King of Prussia. He sponsored Brugsch’s visits to various European museums to view objects and monuments containing the Demotic language, in order to complete his knowledge of the subject. Brugsch then documented what he had learned in Grammaire Démotique. The book examines this dialect's grammar, syntax, and phonetics.

The International Exposition of 1867 (Exposition universelle de 1867), was the second world's fair to be held in Paris and featured 703 exhibitors from the United States. This volume includes 17 highly detailed black and white photographs credited to M. Léon and J. Levy. These featured American technology-themed exhibits such as the McCormick reaper from Chicago, Weed Sewing Machine Co., W.D. Andrews & Bro. steam and gas engines, and Smiths NY Ales displaying many more than 99 bottles of beer on the wall!

This is a rare 1935 portfolio of Art Deco style pochoir printed full-color plates of designs for modern interiors. Among the designers whose work is represented in this portfolio are Francis Jourdain, Pierre Chareau, Georges Djo-Bourgeois, and the author, Henry Delacroix himself. Living rooms, children’s rooms, bedrooms, offices, dining rooms, and libraries are included, along with the room’s furnishings, such as furniture, lighting, and decorative accessories.

Paris was transformed by the Exposition Internationale des Arts Décoratifs et Industriels Modernes of 1925. This portfolio of black and white photographs documents interiors and facades of popular Parisian dining and entertaining establishments. The new Paris, as created by the most prominent architects and decorators of the time, such as Charles Siclis, Pierre Patout, Robert Mallet-Stevens, Louis Sognot, and Maurice Dufrêne, among other notables, is represented in this volume.

Cassandre, pseudonym of Adolphe Jean-Marie Mouron (1901 –1968), was a French painter, commercial poster artist, and typeface designer whose inventive graphic techniques show influences of Surrealism and Cubism. He was very popular in Europe and the United States during the 1930s. In 1935, Cassandre signed an exclusive contract with the firm of Draeger Freres for the French editions of his posters. Draeger, a French printer who published some of the masterpieces of French design was a pioneer of advertising.

Christophe Huet (1700-1759), French artist of the Rococo period, illustrated this rare first edition depicting examples of “singerie.” Singerie, derived from the French word “monkey trick," a visual genre which features fashionably attired monkeys humorously imitating human behavior became a popular and amusing diversion for the upper classes in 18th century France. Singerie were depicted in paintings by such artists as Jean-Antoine Watteau as well as motifs in marquetry, textiles, and porcelain.