French

The Hampton Album

The Hampton Album elegantly depicts the industrial and agricultural skills that were taught to students at the Hampton Normal and Agricultural Institute (later Hampton Institute in 1930, and finally Hampton University in 1984), the historically black school founded in Virginia in 1868 to educate freed slaves. The original images in this album were part of a series of photographs compiled by W.E.B Du Bois for the exhibition of African American life featured at the sensational world’s fair, the Paris Exposition of 1900.

The Role of Scientific Societies in the Seventeenth Century

In 1913 Martha Ornstein, a Barnard College and Columbia University graduate, published her pioneering doctoral thesis on the intersection of scientific advancement and the rise of scientific societies. Her work helped form what would become the "New History" movement of the 20th century, which helped broaden the study of history and allowed for more diverse and inclusive interpretations of it. This volume is a third edition of her thesis, published in 1938 and acquired by the Smithsonian in 1944. It offers a concise history of the rise and role of certain scientists, societies, j

After Whistler

Travel to Paris was a prerequisite for aspiring American painters of the late nineteenth century. Henry Ossawa Tanner (1859-1937), an African American painter born in Pittsburgh, was among the throng of artists to journey there. Tanner decided to become a painter at the age of thirteen after seeing an artist painting outdoors in a park in Philadelphia. In 1897, Tanner enrolled in the Pennsylvania Academy of the Fine Arts where he studied under Thomas Eakins (1844-1916).

The Principles of Harmony and Contrast of Colours

Published in 1859, Michel Eugene Chevreul's (1786-1889) The Principles of Harmony and Contrast of Colours is considered a masterpiece in the science and exploration of color. A chemist who specialized in the study of animal fats and fatty acids, Chevreul is one of the 72 French engineers and scientists whose names are inscribed on the Eiffel Tower.

Le Micromegas

This very rare copy of the second edition from 1752 was once owned by rocket scientist Frederick Ordway III, spaceflight visionary and consultant on Stanley Kubrick’s 2001: A Space Odyssey, this work of fiction by Voltaire is a work akin to Gulliver's Travels, but set in outer space.

Cote Occidentale d'Afrique

The year is 1890. The French public is eager to learn more about the new colonies that France has won in the "Scramble for Africa." Colonel Henri-Nicholas Frey addresses their curiosity by compiling this geography, which describes in vivid detail the people, places, and things on the coastal regions of West Africa, from southern Morocco to the Congo. Frey draws on his own military experience in West Africa, but his primary sources are the writings of explorers, missionaries, and travelers to the region.

Esquisses Senegalaises

Authentic early images of West Africans are rare—and quite sought after. David Boilat offers us just such a portfolio in Esquisses Sénégalaises, published in 1853. The twenty-four color plates are remarkable for their attention to details of clothing, jewelry, hair styles, skin color, and facial features. His accompanying text describes, with remarkable equanimity for his time period, pertinent customs and behaviors ranging from the admirable to the deplorable—all judged from the local point of view.

L'Invention des Globes Aerostatiques

This copy of a 1784 tribute to the Montgolfier Brothers was owned by the author, Comte d'Imbert de La Platière. A tipped-in engraved portrait of the author appears at the end of the book. Joseph-Michel and Jacques-Étienne Montgolfier invented the globe aérostatique, a hot air balloon made of fabric and paper, and tested its flight through summer and autumn 1783 in France. The first manned, untethered flight took place in a Montgolfier balloon piloted by Jean-François Pilâtre de Rozier and François Laurent d'Arlandes on November 21, 1783 in Paris.

La Nouvelle Cuisine

An early edition of the first treaty of gastronomy by Menon. The title of this volume translates to: New treaty of the kitchen, with new designs for tables and twenty-four menus. The book contains 24 menus and about a thousand recipes, and is illustrated with 12 boards representing oval, rectangular, and horseshoe table plans for 14 to 80 seats with ornate centerpieces, jars oille, girandoles , etc., and other tables and their instructions for their precise decoration.

Histoire de la Table

This beautifully illustrated volume gives an historical overview of European dining customs from the Middle Ages through present day. Many pages feature artworks depicting dining scenes paired with photographs of food and drink related objects from the time period to provide a sumptuous picture of “la table” through the ages. The French text gives detailed information on eating habits as well as tablewares including porcelain, glassware, silverware, textiles, and even furniture.

Le Jardin des Plantes

In this title, Pierre Bernard described and illustrated the history of the Jardin des Plantes, the botanical garden attached to the Muséum national d'histoire naturelle in Paris. The Jardin was more than a showplace for plants – it was (and remains) home to a zoo and several museum galleries. The text is enhanced with line illustrations, maps and color plates. The Smithsonian Libraries holds a two volume set as well as an additional copy of Part 1. All three items are available for adoption.

Porcelaines, Faiences & Cristaux

A rare trade catalogue from the Paris firm of Le Grand Dépot, a manufacturer of porcelains, faience ceramics, and glassware, contains images and sale information for a variety of tablewares in many popular patterns. The catalogue, complete with more than 100 pages of illustrated designs, is a good resource for contemporary decorative patterns for glass and plates catering to the Victorian tastes of the time. This catalog is a fine example of a high-end marketing tool that both retailers and manufacturers employed for local and international sales.

Discours Sur la Structure des Fleurs, Leurs Differences et l'Usage de Leurs Parties....

This short publication by a little-known botanist gave Linnaeus the diagnostic tools and the anatomical terminology for his sexual system of classifying plants. After studying botany under Tournefort at the Jardin des Plantes in Paris, Vaillant (1669-1722) established a herbarium there and showed such talent and dedication that over time he rose through the ranks to become the director.

Topographical Description of the State of Ohio, Indiana Territory, and Louisiana

This book is of interest primarily for including the journal of Charles Le Raye, a fur trader who was purportedly captured by the Sioux on the upper Missouri River. It included descriptions of the Native American peoples whom he encountered and the animals of the region. The journal is actually a fabrication, drawn from contemporary accounts of the Lewis & Clark and the Pike expeditions, but it is the source for the first descriptions and scientific names of seven species of American mammals, including the mule deer.

Olivier's entomologie, oder naturgeschichte der insecten

The first volume of G.A. Olivier's classic Entomologie, ou, Histoire naturelle des insectes (Paris, 1789-1808: 6 volumes of text + 2 volumes of plates) was translated into German by Karl Illiger (1775-1813), with supplementary illustrations by the great entomological illustrator Jakob Sturm. The Smithsonian Libraries holds both Olivier's French original and the volumes of Sturm's plates, and Illiger's German text.

Raisons des Forces Mouvantes Avec Diverses Machines Tant Utiles que Plaisantes (Principles of Moving Forces)

by Salomon de Caus (1576-1626) A Francfort : En la boutique de Jan Norton, 1615.
A remarkable hydraulics manual by French engineer and designer of gardens and grottos throughout Europe.
Owned by the Cooper-Hewitt Design Library, containing more than 30 illustrations and descriptions of the methods and equipment needed for moving and raising water, including examples that employ solar, pump, and waterwheel systems. Also featured are plans and descriptions of hydraulic projects designed and executed by Caus.

All the World's Birds

Originally published from 1749 to 1778, Buffon's Histoire naturelle générale et particulière included 9 volumes on birds, which were re-issued separately with superb hand-colored engravings by Martinet. The Cullman Library holds the complete original work by Buffon and a complete set of Martinet's illustrations (without the text). This book reproduces all 1008 plates, providing modern scientific names and English translations from Buffon's text.

Histoire Naturelle et Médicale des Casses : et Particulièrement de la Casse et des Sénés Employés en Médecine

This is a thesis presented for a medical degree at the University of Montpelier by Louis Théodore Frédéric Colladon, a student of the renowned botanist Augustin-Pyramus de Candolle. As was common in European universities at the time, it was de Candolle who wrote the detailed descriptions and classifications of plants in the genus Cassia, including numerous new species, based on his own herbarium and unpublished manuscripts. The student's role was that of explicating and defending the thesis.

Les Trochilidées, ou, les Colibris et les Oiseaux-Mouches

René Primevère Lesson, having served as surgeon/pharmacist/naturalist on the round-the-world scientific voyage of the Coquille (1822-1825), subsequently published several works in ornithology and mammalogy. Les Trochilidées is the third and last volume of his classic work on hummingbirds, and its purchase completes the Smithsonian Libraries' set. Beautifully illustrated, the plates are color-printed and finished by hand to accompany the species descriptions and a general natural history of hummingbirds. This copy survives in sheets as issued, folded but un-cut and un-bound.

Garden Scene With Dancers

A peep show, (or tunnel book), designed by engraver and print-seller Martin Engelbrecht of Augsburg, Germany (1684-1756). The set includes six 6" x 8" hand-colored etched prints on light gray laid paper, with sections carefully cut out to create a perspective view when the prints are arranged in a viewing box.

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