German

The Kreuterbuch of Adam Lonicer (1528-1586), first published in 1557, is an early example of a bestseller—the book remained in print in various forms through 1783, which is a testament to its popular appeal. Although the name Kreuterbuch literally translates to “herb book,” and most of it is indeed about plants, a great deal of the book is devoted to describing the natures and uses of animals, metals, and gemstones.

A rare illustrated German nursery rhyme children’s book, Paradisefibel features colored illustrations by Richard Seewald (1889-1976), a German visual artist. With highly stylized illustrations, this fairy tale includes humorous animals in human situations, such as singing frogs and playing monkeys. Written by husband and wife Joseph and Maria Koch, the rhythmic flow of the text works in conjunction with Koch’s development of the “finger-reading” method of sign language.

Alpine Flowers Tales (Alpenblumenmärchen) is a 1922 illustrated storybook that describes the woodland adventures of two acorn children who get swept away by the autumn winds. Author Ernst Kreidolf (1863-1956) was a Swiss painter largely known for his watercolor illustrations for children's books about flower fairies and small creatures in nature. The Cooper Hewitt, Smithsonian Design Library has a large collection of 19th century illustrated children's books in many languages.

This beautifully illustrated English version of the German Die Wiener Werkstätte, 1903-1928 : Modernes Kunstgewerbe und Sein Weg, commemorates the artists and design of the Wiener Werkstätte - a production community of visual artists founded by Koloman Moser and Josef Hoffmann which was active in Vienna from 1903 to 1928. The book is an artistic novelty, or "Kachelband," designed by Mathilde Flögl (1893-1950), inspired by Hoffman and incorporating innovative use of typography, layout, and bold colors such as gold, silver, red, and black.

In 1913 Martha Ornstein, a Barnard College and Columbia University graduate, published her pioneering doctoral thesis on the intersection of scientific advancement and the rise of scientific societies. Her work helped form what would become the "New History" movement of the 20^th century, which helped broaden the study of history and allowed for more diverse and inclusive interpretations of it. This volume is a third edition of her thesis, published in 1938 and acquired by the Smithsonian in 1944. It offers a concise history of the rise and role of certain scientists, societies, j

Leslie's Weekly was an American illustrated literary and news magazine founded in 1852 and published until 1922. This special publication includes many photographs, illustrations, and stories culled from its coverage of World War I. It features a section written by General John J. Pershing about his own experiences during the War, and a reprinting of “Why America Entered the War,” an address delivered on April 2, 1917 by President Woodrow Wilson. With 2017 marking the 100th anniversary of U.S.

The year 2017 marks the centennial anniversary of the United States’ involvement in World War I. This 1917 government publication, marked "Secret and confidential [now scratched out in red]; Not to be taken into front line trenches," provides a tiny window into life on the battlefield. Designed to help military staff on the front lines collect and analyze personal effects from captured German soldiers, it explains the importance of seemingly mundane items like postcards or letters in indicating where entire units of the German Army were located.

Published in 1857, this 70-page folio consists of originally hand-drawn sketches of the human skull by German anatomist Johann C. G. Lucae of the Frankfurt Senckenberg Institute of Anatomy. Lucae was well known for his craniology studies.