Nevelson

Whether through direct influences or broader affinities, African, Pre-Columbian, and Indigenous American objects undoubtedly informed the practice of Western artists throughout the 20th century. This catalog, from the inaugural show at New York’s Pace Primitive Gallery, juxtaposes body objects from African, Pre-Columbian, and Indigenous American cultures with jewelry by Alexander Calder, Ernest Trova, Louise Nevelson, and Pablo Picasso.

Although black—the color that contains all colors—has been American sculptor Louise Nevelson’s signature color, the artist began incorporating white and gold into her work in the 1960s. This announcement for an exhibition of sculptures by Nevelson at The Pace Gallery, New York, October 23-November 28, 1992, reflects her limited palette. Reproductions of her assemblage sculptures are presented in three die-cut printed pop-ups, printed in silver and gold. Nevelson herself is pictured in a silver-printed portrait on the front cover. The entire elegant presentation is ribbon-tied.