painting

Louis Comfort Tiffany (1848-1933) was one of the most celebrated designers at the turn of the 20th century, known for his metal and glass work. But Tiffany was also a notable artist, who created beautiful drawings and paintings as well as three-dimensional works. This richly illustrated biographical account features the portraits and landscapes Tiffany painted as he traveled the world. It includes drawings and photographs relating to every aspect of his artistic career, from stained glass and jewelry to vases and textiles.

Georges Braque was a major 20th-century French painter, sculptor, draughtsman, and printmaker. At the age of 79, Braque turned his attention to jewelry. He teamed up with master jeweler Baron Heger de Löwenfeld to turn 110 gouache maquettes into intricately textured gold sculptures inlaid with precious stones. The collection, inspired by Greek mythology, incorporates themes of flight and metamorphosis. The two artists worked so closely together that Braque referred to De Löwenfeld as the “continuation of my hand.”

Joseph H. Hirshhorn, founding donor of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden, was an avid collector and supporter of Pablo Picasso. The two became friends after being introduced by photographer Edward Steichen.

Although only about two percent of the population of India is Christian, it is common to find both Christian and non-Christian Indian artists who have used Christian themes in their art. The beginnings of Christianity in India are not well known but tradition has it that the apostle Thomas founded a number of churches in Kerala in 52 AD. Vasco da Gama (1469-1524), the Portuguese explorer, landed in Calicut in 1498 and by 1542 the Roman Catholic missionary Francis Xavier (1506-1552) had reached Goa. These contacts with the west brought examples of European art into the Indian subcontinent.

Lectures on Painting contains three lectures given by James Barry (1741-1806), John Opie (1761-1807), and Henry Fuseli (1741-1825), with an introduction by Ralph Nicholson Wornum (1812-1877). The three lecturers were all members of the Royal Academy of Arts in London, and they were, as well as Wornum, prominent artists of their time. In addition to being an artist, Wornum was also an art historian, administrator, Keeper of the National Gallery in London, and Secretary for the National Gallery's Trustees.