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Despite dying at only 28, Edward M. Haight (1863-1891) established a busy career as an enthusiastic naturalist, collector, taxidermist, and publisher. The Golden State Scientist is one of three serials that he edited in the late 1880s, and it is by far the scarcest. This was the only issue ever published, and only 450 copies made it into print, owing to “the many blunders made in the advertisements." Only about a dozen copies survive in libraries today.

Ornamental Textile Fabrics of All Ages and Nations: A Practical Collection of Specimens features specimens from Auguste Dupont-Auberville's collection of ornamental textile designs. The samples, reproduced as simple chromolithographs, serve as a showcase of European, Eastern, and Egyptian design elements used in textile production throughout history.

This is a rare (only copy in America), first edition of a collection of sermons in Latin created by the Roman Catholic Church in the 15th century. More than likely, it was to provide standard, timely, and spiritual homilies appropriate to be performed at mass throughout the church year. Library catalogs note “Parartus” as author; this individual's actual identity is yet to be determined.

Italian artist Giovanni Battista Piranesi (1720-1778) created detailed and elaborate etchings illustrating the antiquities of Rome as well as a fictitious and atmospheric series entitled Carceri d'invenzione (Imaginary Prisons). The Smithsonian Libraries is fortunate to own several first-editions of Piranesi’s publications, including his book on fireplaces and mantels entitled Diversi Maniere d'Adornare i Cammini and “vedute” or views of Rome, an example of which is this 1761 folio.

This book traces the development of newspapers in the U.S. during their golden age (1830-1930), including influential publishers and journalists, and the increasingly important role newspapers played in American life. It also examines technological innovations in papermaking, typesetting, and printing that made it possible for metropolitan dailies to reach hundreds of thousands of readers. This book is part of the National Postal Museum Library collection, which includes titles relevant to the broader history of communication in America.

This beautiful book, a wordless novel, tells a story of the African slave trade and one slave trader’s obsession and tragic downfall—all in 128 powerful woodcuts that combine Art Deco and Expressionist styles. Lynd Ward was one of America’s finest wood engravers, and the detailed, complicated plates in this book show him as a master craftsman and illustrator who could also reveal psychological anguish through his art. The plates in this second-edition copy are reproduced photographically; the front and back covers are bound in papers showing a woodcut-style design in black and white.

The Caledonian railway, or The Caley as it was fondly named, was a Scottish railway system that connected Scotland to London from the 1840’s until its dissolution in the 1920’s. This compilation of book excerpts, articles, news clippings, and advertisements chronicles and romanticizes the waning decades of the Caledonian Railway from the turn of the century until 1923 when The Caley was absorbed into the London, Midland, and Scottish Railway by The Railways Act of 1921, an act that streamlined 120 individual British railway systems into just four.

British printmaker Rupert Shephard (1902-1992) was inspired by the people and cultures of South Africa to create the eighteen prints in this limited-edition portfolio (200 copies). Ndebele women, known for their beadwork and colorful geometric murals, are portrayed here in a warm, lively setting in this lino-cut print from the portfolio. Shephard taught printmaking at Michaelis Art School in Cape Town, South Africa, from 1948 to 1962.