Sackler

Sirarpie Der Nersessian (1896-1989) was an Armenian art historian. Born in Istanbul, she fled in 1915 to escape the persecutions that had erupted against Armenians in the Ottoman Empire. She lived for a time in Switzerland, then moved to Paris in 1919, where she obtained a graduate degree at the Sorbonne. By the mid-20th century, she was living in Washington D.C., working as a scholar at Dumbarton Oaks. In 1963, she published a book on the Freer Gallery of Art’s Armenian Gospel manuscript folios.

The late-16th century was the golden age of Japanese screen painting, both literally and figuratively. The Momoyama period (1573-1615) was also an age of monumental architecture, with feudal lords building forts and castles of a size unprecedented in Japan. The great masters of the art of screen painting who were called upon to decorate the interiors of these large buildings filled them with screens of bold and innovative aesthetics, some with gold leaf covering their entire surfaces. Japan had a well-established tradition of incorporating gold leaf into art and decorative work.