sing

Birds of Passage

This 1898 waltz sheet music was published in the United Kingdom and features a woman in flight, riding a stork.  This is one of the many "aeronautical" themed pieces of sheet music the are part of the Bella C. Landauer Collection of Aeronautical Sheet Music, which is held in the National Air and Space Museum Library. 

Since Katy the Waitress

A popular song from 1919 that was representative of women's interest in aviation and flying. Since Katy the Waitress became an Aviatress is an example of popular songwriting's ability to capture contemporary trends and turn them into songs they hoped the public would adopt.  This sheet music is part of the Bella C. Landauer Collection of Aeronautical Sheet Music held in the National Air and Space Museum Library.

Danzas Folklóricas en la Villa de Los Santos

The struggle between good and evil. The battle between the sacred and the profane. These have been recurring themes in all societies and through art, populations were instructed in the principles of Christian religion. Clothing, costumes, music, and dance serve to teach people about the rules to follow as Christians. 

How Sweet the Sound

How Sweet the Sound: The Golden Age of Gospel is the culmination of research on gospel music undertaken by Horace Clarence Boyer, a gospel singer and pioneering scholar on the subject. Boyer skillfully combines the history of gospel music and its social context, tracking the development gospel from its early stages during its golden age (1945-55), into the 1960s, when the music form began to take its place in American popular music. Photographer Lloyd Yearwood’s rare photos of performances and backstage activity further enhance the written history.

How Sweet the Sound

This book traces the development of gospel music, from its roots in the 1900s through its golden age in 1945-55. How Sweet the Sound takes the reader from African American churches in Los Angeles in 1906; to the Deep South Pentecostal churches; to Chicago, Philadelphia, Detroit, and St. Louis in the 1930s. Author Dr. Horace Boyer (1935-2009) was one of the foremost scholars in African American gospel music, a music historian, and a gospel singer himself.