American Indian

Whether through direct influences or broader affinities, African, Pre-Columbian, and Indigenous American objects undoubtedly informed the practice of Western artists throughout the 20th century. This catalog, from the inaugural show at New York’s Pace Primitive Gallery, juxtaposes body objects from African, Pre-Columbian, and Indigenous American cultures with jewelry by Alexander Calder, Ernest Trova, Louise Nevelson, and Pablo Picasso.

This is a thick tabletop book with large print and 100 breathtaking color illustrations and photos of gold miners throughout. The lure of achieving instant wealth with the relatively low equipment cost of prospecting was called "gold fever." The author covers almost four decades, from 1849—just after the first discovery of gold in California—to 1884, when the hydraulic mining companies ceased operations. It also discusses a horrific side effect of the gold rush—the massacre and extermination of Native Americans in California.

Fifty years in chains: or, the life of an American slave is an abridged and unauthorized 1858 reprint of the 1836 Slavery in the United States: a narrative of the life and adventures of Charles Ball... . As one of the earliest slave narratives, its influence on later works is a well-established phenomenon.

Samuel Woodworth Cozzens (1834-1878) was a lawyer, and for a time United States district judge of Arizona. His published works include The Marvellous Country (Boston, 1876), The Young Trail-Hunters series, and Nobody's Husband (1878).  He travelled in Arizona during a relatively calm period of Apache activity, though he writes about several bloody episodes in the book. He met various prominent Arizonans such as the Penningtons on their way to Southern Arizona. and the legendary chief of the Chokonens, Cochise.