artist

This book is Part 1 of an important four volume publication on the history of Nepal. The set was formerly in the private library of Dr. Mary Shepherd Slusser. This volume and one other in the set are in need of conservation treatment.

Louis Comfort Tiffany (1848-1933) was one of the most celebrated designers at the turn of the 20th century, known for his metal and glass work. But Tiffany was also a notable artist, who created beautiful drawings and paintings as well as three-dimensional works. This richly illustrated biographical account features the portraits and landscapes Tiffany painted as he traveled the world. It includes drawings and photographs relating to every aspect of his artistic career, from stained glass and jewelry to vases and textiles.

“Would you mind acting as though you just discovered a gold mine?” Cartoonist George Price finds the humor in the everyday and pokes fun at people from all walks of life. Price is best known for his 60-year career as a cartoonist for The New Yorker; he was one of the early artists who shaped the look and feel of the magazine.

Who doesn’t love a little sparkle? You’ll find plenty in this gorgeous book. Along with histories of important jewelers from the late-19th through the 20th centuries, it features photographs of masterworks created by these artists and craftspeople. The book also highlights a number of specific jewelry styles, such as Art Nouveau by Lalique and Egyptian revival by Cartier. Other jewelers presented in the book include Tiffany, Van Cleef & Arpels, Fabergé, and Bulgari—with illustrations of their dazzling pieces crafted from gold, silver, platinum, gems, pearls, and enamel.

This stunning book is the first comprehensive publication on the internationally renowned Cuban American artist Teresita Fernández. The idea of wayfinding—moving from place to place or even getting lost—is critical to understanding this artist’s body of work, which revolves around themes of landscape, the night sky, and other environments. "We have a tendency to think of landscape as something outside ourselves, and that’s a notion that I want to invert," Fernández states.

This exhibition catalog explores the 2010 monumental work Circle of Animals/Zodiac Heads, created by internationally acclaimed contemporary Chinese artist and social activist Ai Weiwei. The work is a reimagining of a Qing dynasty zodiac water-clock system at the Old Summer Palace near Beijing, which was looted in 1850 during the Second Opium War. Ai reinterpreted the original fountainheads in a gold series and a bronze series, as his first monumental public art installation.

Four and twenty blackbirds, baked in a pie...Imagine those blackbirds popping out at you! The Pop-Up Mother Goose includes surprises on every page. Author Harold Lentz was a commercial artist who delved into the world of book publication in the 1930s, when he designed a series of colorful fairy tales, incorporating imaginative drawings and paper engineering. Lentz and his publisher were the first to coin the term "pop-up" to describe their surprising design. Produced and sold during the Great Depression, these imaginative books provided readers a joyful distraction.

One of the best-known artists of the 20th century, Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet, and playwright who spent most of his adult life in France. Picasso is often remembered for his cubist paintings, but he continued to experiment with new styles and materials throughout his life. During the 1950s and 1960s, Picasso commissioned Francois Hugo, great-grandson of French writer Victor Hugo, to execute a series of plates, dishes, and medallions in gold and silver. The plates were modeled after Picasso’s original ceramics designs.

"The skull is out of this world, celestial almost. I tend to see it as a glorious intense victory over death," writes art historian Rudi Fuchs in this creative guide to the making of British artist Damien Hirst’s sculpture For the Love of God, a platinum cast of an 18th-century skull encrusted with 8,601 flawless diamonds and produced at a cost of £14 million. The catalog is a companion publication to the 2007 exhibition “Damien Hirst: Beyond Belief,” at London’s White Cube, where the skull made its debut.

Georges Braque was a major 20th-century French painter, sculptor, draughtsman, and printmaker. At the age of 79, Braque turned his attention to jewelry. He teamed up with master jeweler Baron Heger de Löwenfeld to turn 110 gouache maquettes into intricately textured gold sculptures inlaid with precious stones. The collection, inspired by Greek mythology, incorporates themes of flight and metamorphosis. The two artists worked so closely together that Braque referred to De Löwenfeld as the “continuation of my hand.”

Liza Lou, an American artist and winner of a 2002 MacArthur Foundation Fellowship, is known for her large-scale sculptures and environments made from glass beads. Lou’s brightly colored sculptures create tension between the sparkling beauty of their surfaces and their frequently dark themes, suggesting that America’s polished, projected image belies the nation’s underlying turmoil.

Lawrence Weiner is a conceptual artist who has used language as his primary medium since 1968, when he concluded that viewers could experience the same effect from reading a verbal description of his work as they could from viewing the work itself. Since that point, he has been best-known for his word sculptures—short poems and witticisms applied to walls in plain lettering, always translated into the language of the country in which they are shown. In 1995, the Middelheim Museum in Antwerp commissioned Weiner to create a work for its permanent collection.

Whether through direct influences or broader affinities, African, Pre-Columbian, and Indigenous American objects undoubtedly informed the practice of Western artists throughout the 20th century. This catalog, from the inaugural show at New York’s Pace Primitive Gallery, juxtaposes body objects from African, Pre-Columbian, and Indigenous American cultures with jewelry by Alexander Calder, Ernest Trova, Louise Nevelson, and Pablo Picasso.

The works of Lucas Samaras can be understood through one unifying principle: the artist’s “natural instinct for subversion.” Rather than springing from an urge to rebel, however, Samaras’ originality and nonconformity are centered in treating art as a mutable subject. Samaras spent two years crafting gold jewelry, modeling them first in chicken wire, then casting them in solid 22-karat gold.

In 2001, British artist Jeremy Deller received a residency from the CCAC Wattis Institute in San Francisco. He applied his honorarium toward a used Jeep and five acres of land in the Mojave Desert for $2000, thereby staking his own claim upon the Golden State. His fellowship resulted in an unorthodox but compelling guidebook tracing California’s history from the 19th century mining boom to the post-dot-com recession, as found along its dusty highways and in its roadside museums.

The “objects” of American artist Man Ray’s affection were small, limited-edition sculptures.

Joseph H. Hirshhorn, founding donor of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden, was an avid collector and supporter of Picasso. The two became friends after being introduced by photographer Edward Steichen. The Hirshorn Library’s copy of Picasso, by art critic Jean Cassou, is inscribed in ink by Picasso on the half-title, “Pour Joe Hirshhorn, son ami Picasso, le 25-7-69,” and includes a full-page original Picasso sketch of a bearded man with curly hair and a wavy hat.

Joseph H. Hirshhorn, founding donor of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden, was an avid collector and supporter of Picasso. The two became friends after being introduced by photographer Edward Steichen. The original dark purple cloth publisher's binding of this monograph is embossed with a gold gilt facsimile of Picasso’s signature.

Joseph H. Hirshhorn, founding donor of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden, was an avid collector and supporter of Pablo Picasso. The two became friends after being introduced by photographer Edward Steichen.