Christian

Sirarpie Der Nersessian (1896-1989) was an Armenian art historian. Born in Istanbul, she fled in 1915 to escape the persecutions that had erupted against Armenians in the Ottoman Empire. She lived for a time in Switzerland, then moved to Paris in 1919, where she obtained a graduate degree at the Sorbonne. By the mid-20th century, she was living in Washington D.C., working as a scholar at Dumbarton Oaks. In 1963, she published a book on the Freer Gallery of Art’s Armenian Gospel manuscript folios.

Upon the discovery of a long-forgotten cemetery in Philadelphia, excavation and study exposed the remains of a Baptist church cemetery and its African-American inhabitants. Thorough research of the skeletons and surrounding area shed light on the living conditions of the African Americans in 19^th-century Philadelphia and its environs. This book is important to scientists and curators studying 19^th-century American life and physical remains of 19^th century Africa -Americans.

Authentic early images of West Africans are rare—and quite sought after. David Boilat offers us just such a portfolio in Esquisses Sénégalaises, published in 1853. The twenty-four color plates are remarkable for their attention to details of clothing, jewelry, hair styles, skin color, and facial features. His accompanying text describes, with remarkable equanimity for his time period, pertinent customs and behaviors ranging from the admirable to the deplorable—all judged from the local point of view.