glitters

A new process for refining gold and silver from various ores is described for the first time in English in this text. The amalgamation process was invented by Baron Ignaz Edler von Born (aka Inigo Born), and after a trial of the process was conducted in front of observers in Schemnitz, Slovakia, the book describing the process was published in 1786. It was then translated by Rudolf Erich Raspe, a ne’er-do-well who was originally from Germany.

Since its introduction as a slogan in 1966, the term "Black Power" has inspired and shaped African American consciousness in remarkable ways. For many Americans, the idea of Black Power has restructured goals and redefined success. It has also inspired a new generation of activists who continue to build on the potency of these two simple words. Black Power 50 is a captivating introduction to the Black Power movement.

The 50 Most Influential Black Films is an introspective study of the black image in motion pictures from the late-19th century through the 20th century. Its chapters are organized by decades, starting with silent films and continuing through independent films of the 1990s. Each chapter begins with a synopsis of the social issues affecting black people during the period covered, and situates black film within the larger context of a people struggling to find their way in a culture that did not always accept the black image on screen.

In the foreword to Hearts of Gold, Eunice Kennedy Shriver, founder of the Special Olympics, writes, “This book is a chance for Special Olympics sports heroes to tell their stories—to shout out to the world and show their spirit.” Since the first International Special Olympics Summer Games was held in July 1968, this event has given people with intellectual disabilities from around the world a chance to show what they can do. The book is filled with photographs of the athletes as they train and compete, showing their determination, strength, and enthusiasm.

Clocks and watches serve a practical function, yet they can also be incredible works of art. This stunning book features some of the finest timepieces ever created, spanning the 15th century to the present. Austrian photographer Johann Willsberger visited major museums and private collections around the world to capture the best examples from primarily French, German, Austrian, Swiss, English, and American makers. Alongside the beautiful photographs, Willsberger includes thought-provoking quotations and sayings about timepieces and about time itself.

Gold Rush: Contemporary Art Made From, With or About Gold is an exhibition catalogue published to accompany the exhibit of the same title, which was featured at Kunsthalle Nürnburg (October 18, 2012 to January 13, 2013) and at Villa Merkel, Galerien der Stadt Esslingen am Neckar (February 17 to April 14, 2013), in Germany. The show explored the appearance of gold in the recent works of 18 international artists, including Joseph Beuys, Felix Gonzalez-Torres, Daniel Knorr, Kris Martin, Jonathan Monk, and Claudia Wieser.

This exhibition catalog explores the 2010 monumental work Circle of Animals/Zodiac Heads, created by internationally acclaimed contemporary Chinese artist and social activist Ai Weiwei. The work is a reimagining of a Qing dynasty zodiac water-clock system at the Old Summer Palace near Beijing, which was looted in 1850 during the Second Opium War. Ai reinterpreted the original fountainheads in a gold series and a bronze series, as his first monumental public art installation.

This little astronomical work contains 104 beautifully hand-colored lithographs of the moon, planets, and constellations, along with eclipses and atmospheric phenomena. The constellations dotted with golden stars are great examples of the elegance and simplicity of the book’s execution. Author Charles Blunt’s introduction to the book explains that it was created so that a family need not “quit their own parlour, or drawing-room fireside, to enjoy the sublime ‘beauty of the heavens.’” With every plate comes a ‘lecture’ or description designed to be read aloud, facilitating at-home learning.

Whether romantic farces in black-and-white or western epics in Technicolor, movies from Hollywood's golden age were introduced to the world by entrancing posters. The Lost Artwork of Hollywood is a tribute to the illustrators and artists who created posters and other promotional materials to spark the imagination of the public. Focusing on movies of the 1920s, 30s, and 40s, the book contains over 100 images from film promotional materials, many of them full-page reproductions.

“Dear Reader: If you have visited California, you will find nothing in these pages to interest you; if you have not, they may serve to kill an idle hour." With this bit of stark understatement, the reader is introduced to California Illustrated, a journal published in 1852. This book chronicles the author’s journey with a group of travelers making their way to California. There’s whale spotting, a shipwide illness, and the travelers' arrival at the Islands of Turks and Caicos—and that’s just in the first chapter.

Les Arts au Moyen Age et a l'Epoque de la Renaissance (The Arts in the Middle Ages and in the Renaissance) features chromolithographic plates and over 400 woodcuts. What truly makes this edition stand out is its elaborate use of gilt stamping. The red book cover is dotted and outlined with gold script, matching the bow-like design on the spine. Instead of the typical marbled paper, the book's inside covers feature a zig-zag pattern of black and gold lines, with designs of flowers, tassels, and letters in contrasting colors.

This English translation of Jane Dieulafoy’s account of her travels to Susa in Persia (modern-day Iran) describes in detail the many villages she saw and the artifacts she and her husband, Marcel Dieulafoy, collected. One of the famous artifacts sent to France from Susa is the Frise des Lions, which is currently at the Museé du Louvre. The French government awarded Dieulafoy the Legion of Honor for her explorations in the Susa region and her subsequent artifact contributions.

This gilded and richly illustrated volume describes the 19th-century travels of explorer Jane Dieulafoy. Dieulafoy documented her explorations through what is now Iraq and Iran. Dieulafoy uses the expressive language of her time to describe the weather, people, cultures, and treasures she encountered. The volume includes many illustrations of the villages, ports, and bazaars she visited. The illustrations are prints from wood engravings based on the author’s photographs.

This volume was commissioned by the president of Costa Rica and published in 1902. The Comisión Conmemorativa de Costa Rica en el Siglo XIX worked with various authors to highlight the social history, local customs, and artistic contributions of Costa Rica during the 19th century. The book also covers the history of the Catholic Church in Costa Rica during this period. The goal of this volume was to highlight the many successes of Costa Rica following its independence. The cover depicts a silver angel holding aloft a burning torch inscribed with the Roman numerals XX (20).

This fun, interesting, and lavishly illustrated book tells the stories of approximately 50 animals that have played crucial roles in human history. Chaline’s fascinating essay topics range from the history of oyster-raising to the essential role of the horse. Humans are the subject of the final essay, which includes a warning that we are our own worst enemy. Each animal is classed among four categories as “Edible, Medicinal, Commercial, and/or Practical" (a dog-loving reader might quibble with the idea of modern housecats being considered “practical”).

Four and twenty blackbirds, baked in a pie...Imagine those blackbirds popping out at you! The Pop-Up Mother Goose includes surprises on every page. Author Harold Lentz was a commercial artist who delved into the world of book publication in the 1930s, when he designed a series of colorful fairy tales, incorporating imaginative drawings and paper engineering. Lentz and his publisher were the first to coin the term "pop-up" to describe their surprising design. Produced and sold during the Great Depression, these imaginative books provided readers a joyful distraction.

John Randolph Spears (b. 1850) was a well-traveled journalist at turn of the century, eventually writing nearly a dozen books, primarily on nautical and maritime themes. This early title is about the land, sea, flora, fauna, and cultures of South America’s southernmost region. The “gold diggings” from the title are mostly done on the east coast of Tierra del Fuego, where, after heavy storms, gold shows up on the black sands. The quest for gold often creates conflicts with indigenous communities of the area, which Spears takes great care to describe with sensitivity (for the times).

David Rickard gives gold’s poor relation the royal treatment in this scholarly work on the mineral pyrite. Rickard presents both the social uses of pyrite—from historical accounts—and the scientific nature of the mineral. Whether a scientist is researching the history of an older piece of metalwork or the chemical properties of the raw material, Rickard’s work is useful for the scholar and layman alike. This nicely illustrated book is from the Minerals Library at the National Museum of Natural History.

Lois DeLorenzo gets down and dirty when explaining how to search for gold in the wilderness of North America. Her text and detailed drawings include information on how to assess whether an area is likely to contain gold deposits and how to build the tools necessary for panning and sluicing. DeLorenzo lists the materials needed and provides instructions for building various handmade prospecting tools, and demonstrates via her illustrations the best ways to use each tool. This unique bound paperback is from the Minerals Library at the National Museum of Natural History.

This book is a narrative of the author’s 1971-1972 survey of nesting raptors in the eastern Colorado prairie. Species observed included golden eagles, owls, hawks, and falcons. The majority of the book describes the behaviors of these birds in their natural habitats, but it also includes anecdotes involving a few native reptiles, small mammals, and other non-raptor bird species. The author presents an optimistic view of the future of raptor-human interaction with proper conservation methods. The book is beautifully illustrated with drawings by Robert Katona, a self-taught artist.

This is the second of a series of sketches and life histories of birds told in a unique way—by the birds themselves as "autobiographies." This makes it especially interesting to the young readers for whom it was written, but also contributes valuable information for older naturalists. Author Arthur Allen was a professor of ornithology at Cornell University, which is renowned for its Laboratory of Ornithology. The book is illustrated with 240 of Allen's own photographs, and there are eight color plates by George Miksch Sutton. One of Sutton’s images is used for this entry.

One of the best-known artists of the 20th century, Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet, and playwright who spent most of his adult life in France. Picasso is often remembered for his cubist paintings, but he continued to experiment with new styles and materials throughout his life. During the 1950s and 1960s, Picasso commissioned Francois Hugo, great-grandson of French writer Victor Hugo, to execute a series of plates, dishes, and medallions in gold and silver. The plates were modeled after Picasso’s original ceramics designs.

"The skull is out of this world, celestial almost. I tend to see it as a glorious intense victory over death," writes art historian Rudi Fuchs in this creative guide to the making of British artist Damien Hirst’s sculpture For the Love of God, a platinum cast of an 18th-century skull encrusted with 8,601 flawless diamonds and produced at a cost of £14 million. The catalog is a companion publication to the 2007 exhibition “Damien Hirst: Beyond Belief,” at London’s White Cube, where the skull made its debut.

Georges Braque was a major 20th-century French painter, sculptor, draughtsman, and printmaker. At the age of 79, Braque turned his attention to jewelry. He teamed up with master jeweler Baron Heger de Löwenfeld to turn 110 gouache maquettes into intricately textured gold sculptures inlaid with precious stones. The collection, inspired by Greek mythology, incorporates themes of flight and metamorphosis. The two artists worked so closely together that Braque referred to De Löwenfeld as the “continuation of my hand.”

Liza Lou, an American artist and winner of a 2002 MacArthur Foundation Fellowship, is known for her large-scale sculptures and environments made from glass beads. Lou’s brightly colored sculptures create tension between the sparkling beauty of their surfaces and their frequently dark themes, suggesting that America’s polished, projected image belies the nation’s underlying turmoil.

Lawrence Weiner is a conceptual artist who has used language as his primary medium since 1968, when he concluded that viewers could experience the same effect from reading a verbal description of his work as they could from viewing the work itself. Since that point, he has been best-known for his word sculptures—short poems and witticisms applied to walls in plain lettering, always translated into the language of the country in which they are shown. In 1995, the Middelheim Museum in Antwerp commissioned Weiner to create a work for its permanent collection.

Whether through direct influences or broader affinities, African, Pre-Columbian, and Indigenous American objects undoubtedly informed the practice of Western artists throughout the 20th century. This catalog, from the inaugural show at New York’s Pace Primitive Gallery, juxtaposes body objects from African, Pre-Columbian, and Indigenous American cultures with jewelry by Alexander Calder, Ernest Trova, Louise Nevelson, and Pablo Picasso.

The works of Lucas Samaras can be understood through one unifying principle: the artist’s “natural instinct for subversion.” Rather than springing from an urge to rebel, however, Samaras’ originality and nonconformity are centered in treating art as a mutable subject. Samaras spent two years crafting gold jewelry, modeling them first in chicken wire, then casting them in solid 22-karat gold.

In 2001, British artist Jeremy Deller received a residency from the CCAC Wattis Institute in San Francisco. He applied his honorarium toward a used Jeep and five acres of land in the Mojave Desert for $2000, thereby staking his own claim upon the Golden State. His fellowship resulted in an unorthodox but compelling guidebook tracing California’s history from the 19th century mining boom to the post-dot-com recession, as found along its dusty highways and in its roadside museums.